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Music historian and liturgical scholar Margot Fassler wins three research awards

Author: Joanna Basile

Margot Fassler

Art. Sacred music. Medieval history. And the digital humanities. Margot Fassler, Keough-Hesburgh Professor of Music History and Liturgy at Notre Dame, brings them all together in her current research on Hildegard of Bingen — research for which she has been recently awarded fellowships from both the American Council of Learned Societies (ACLS) and the John Simon Guggenheim Memorial Foundation.

Adding to these accolades, Fassler, a professor in the Department of Theology who co-directs the Master of Sacred Music program in the College of Arts and Letters, on May 11 (Friday) received the 2012 Otto Gründler Book Prize for “The Virgin of Chartres: Making History Through Liturgy and the Arts” (Yale University Press, 2010).

“It seems that 2012 is my year,” Fassler says.

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Music historian and liturgical scholar wins international book prize

Author: Joanna Basile

Margot Fassler

Margot Fassler, Keough-Hesburgh Professor of Music History and Liturgy and co-director of the Master of Sacred Music program at the University of Notre Dame, has won the biennial ACE/Mercers’ International Book Award.

The award from Art and Christianity Enquiry (ACE) recognizes Fassler’s 2010 book “The Virgin of Chartres: Making History Through Liturgy and the Arts” as “an outstanding contribution to the dialogue between religious faith and the visual arts.”

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Sacred Music at Notre Dame receives Mellon Grant

Author: Joanna Basile

Sacred Music at Notre Dame

With a $400,000 grant from the Andrew W. Mellon Foundation, the University of Notre Dame has announced the launch of the Sacred Music Drama Project, a four-year, cross-disciplinary initiative designed to engage people more deeply with the power of shared creativity, performance and scholarship.

The project will draw on humanistic, artistic and sacred topics from a variety of musical traditions to develop new coursework and to stage the production of a major dramatic performance each year. The Mellon grant will also bring both eminent and emerging guest artists to campus and will fund the commission of a new work of sacred music drama at the end of the project.

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