On Thursday Nov 28th, Tala Jarjour will give a lecture in Germany at the University of Tübingen as part of the lecture series "Islamic Theology Between Continuity and Change," which is organized by the Center For Islamic Theology. The lecture is titled "Living Together, Singing Together: Shared Soundscapes and the Politics of Interreligiosity in Pre-War Syria."…
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Art. Sacred music. Medieval history. And the digital humanities. Margot Fassler, Keough-Hesburgh Professor of Music History and Liturgy at Notre Dame, brings them all together in her current research on Hildegard of Bingen — research for which she has been recently awarded fellowships from both the American Council of Learned Societies (ACLS) and the John Simon Guggenheim Memorial Foundation.
Adding to these accolades, Fassler, a professor in the Department of Theology who co-directs the Master of Sacred Music program in the College of Arts and Letters, on May 11 (Friday) received the 2012 Otto Gründler Book Prize for “The Virgin of Chartres: Making History Through Liturgy and the Arts” (Yale University Press, 2010).
“It seems that 2012 is my year,” Fassler says.
Margot Fassler, Keough-Hesburgh Professor of Music History and Liturgy and co-director of the Master of Sacred Music program at the University of Notre Dame, has won the biennial ACE/Mercers’ International Book Award.
The award from Art and Christianity Enquiry (ACE) recognizes Fassler’s 2010 book “The Virgin of Chartres: Making History Through Liturgy and the Arts” as “an outstanding contribution to the dialogue between religious faith and the visual arts.”
With a $400,000 grant from the Andrew W. Mellon Foundation, the University of Notre Dame has announced the launch of the Sacred Music Drama Project, a four-year, cross-disciplinary initiative designed to engage people more deeply with the power of shared creativity, performance and scholarship.
The project will draw on humanistic, artistic and sacred topics from a variety of musical traditions to develop new coursework and to stage the production of a major dramatic performance each year. The Mellon grant will also bring both eminent and emerging guest artists to campus and will fund the commission of a new work of sacred music drama at the end of the project.