The premiere performance will take place on December 7th, 2014, the eve of the day that Catholics celebrate the Feast of the Immaculate Conception. This composition is unique in the sense that it’s premiere performance will be ritualized as part of the Christian Prayer for the specific feast. The composition will resemble structurally Claudio Monteverdi’s 1610 Vespro della Beata Vergine.
The middle section of the Vespers Service will be constituted of entirely new music, with the jazz piano trio assuming the role of the basso continuo group. The composition incorporates Baroque scholarship and music from the 17th century, juxtaposing this style with jazz. It examines the traditional role of basso continuo and how it relates musically to the contemporary role of the jazz piano trio.
The composition is bookended by two pieces from the Baroque: “Salve Regina a 3” by Giacomo Carissimi and “Magnificat H.72” by Marc-Antoine Charpentier. Modern performing editions of these compositions are not available: performing editions are being reconstructed from facsimiles of the original manuscripts and guided by musicologists Dr. Alexander Blachly, Dr. Mary Frandsen, and Dr. Pierpaolo Polzonetti.
The resulting work will develop a game of exchanges between two musical universes. Separated by historical time and instrumentation, these universes still continually affect each other, providing timbrical innovations and narrative nuances that can exist only in the liminal space opened through their constant dialogue. It is my aim as a composer to manage these interactions in a way that delivers their own organic logic.
Sunday December 7, 2014
4 pm
Sacred Heart Parish Center
Moreau Drive