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Book Launch and Concert in Düsseldorf

Author: Matt Haines

Book Launch Photo

In Düsseldorf, Germany this past week, a team of four scholars launched their book Liturgical Life and Latin Learning at Paradies Bei Soest, 1300-1425: Inscription and Illumination in the Choir Books of a North German Dominican Convent (Aschendorff, 2016). Margot Fassler, the musicologist on the project, gave a public presentation with her colleagues at a performance by the Ars Choralis Coeln of works chosen from the liturgical manuscripts studied in the two-volume work. In addition, the scholars led a several-day workshop on art, music, theology, and liturgy among Dominicans in the later Middle Ages at the University of Düsseldorf. Photo: left to right, Susan Marti (Bernisches Historisches Museum); Margot Fassler (Notre Dame); Dirk Passmann (of Aschendorff Press); Jeffrey Hamburger (Harvard); Eva Schlotheuber (University of Düsseldorf). …

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Margot E. Fassler, Keough-Hesburgh Professor of Music History and Liturgy and Director of Sacred Music at Notre Dame, has been elected an Honorary Member of the American Musicological Society.

Author: Matt Haines

Margot Headshot
(Photo Credit: Barbara Thompson)

Margot E. Fassler, Keough-Hesburgh Professor of Music History and Liturgy and Director of Sacred Music at Notre Dame, has been elected an Honorary Member of the American Musicological Society

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​​​​​​​Fr. Jerome Weber: A Life in Discography

Author: Matt Haines

Father Weber

Fr. Jerome Weber: A Life in Discography is now streamed by SMND.  This short film by Christian Jara and Margot Fassler outlines the career of noted scholar Jerome Weber, who has transformed the study of how chant has sounded in recent decades through his detailed cataloging of the recorded evidence.  With his online database Chantdiscography.com

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DMA Student, Justin Appel, Featured as Nanovic Institute's "Student Spotlight"

Author: Matt Haines

Appel

DMA Conducting student, Justin Appel, traveled to Latvia on a  Graduate Summer Travel and Research Grant to study Ēriks Ešenvalds as an upcoming star of 21st-century choral music. Justin wrote about his experience and travels to the Nanovic Institue for European Studies

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Margot Fassler and Peter Jeffery Speak at International Conference

Author: Matt Haines

Margot Fassler and Peter Jeffery were speakers at the international conference "The Poetics of Christian Performance: Prayer, Liturgy, and Their Environments in East and West." The conference was held on June 19-23, 2016 at the Edmond J. Safra Campus, Hebrew University of Jerusalem.

You can read about the conference here

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American Bach Society Biennial Conference Hosted by Sacred Music at Notre Dame

Author: Matt Haines

AMERICAN BACH SOCIETY BIENNIAL CONFERENCE
HOSTED BY SACRED MUSIC AT NOTRE DAME

On 7-10 April 2016 Sacred Music at Notre Dame hosted the biennial meeting of the American Bach Society. The society, which began its life as the American Chapter of the International Bach Society before becoming its own independent entity, serves as the focus for Bach scholarship in the United States and Canada. Among its members are many of the leading Bach scholars in the world, including Christoph Wolff, former director of the Bach Archive in Leipzig. It was a great honor and privilege to host such an important organization.…

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Margot Fassler Featured in Women Lead Article by Notre Dame

Author: Matt Haines

fassler

Margot Fassler has been featured in the Women Lead article by Notre Dame on International Women Day this Tuesday, March 8th. In the article she talks about her professional accomplishments and personal triumphs that have lead her to her current position at Notre Dame, as well as the power of women in the liturgical world.…

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Peter Jeffery to Speak at the "Catholic Social Thought for the Idea of a University" Workshop

Author: Matt Haines

The Center for Social Concerns is hosting a discussion forum on implications of Catholic Social Thought for the idea of a University. If we were to run a University according to principles of Catholic Social Tradition (CST) what would that mean?

This question is, of course, also related to the discourse on the idea of a Catholic University, but goes further than that. The encyclical Laudato Si is addressed to “every person living on this planet,” hence the invitation to consider the values of Catholic Social Tradition is meant for all. But what does that mean?…

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Pierpaolo Polzonetti Awarded the H.Colin Slim Award

Author: Matt Haines

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Pierpaolo Polzonetti has been awarded the H.Colin Slim Award for his essay "Tartini and the Tongue of Saint Anthony".

“The H. Colin Slim Award honors each year a musicological article of exceptional merit, published during the previous year (2015) in any language and in any country by a scholar who is past the early stages of her or his career and who is a member of the AMS or a citizen or permanent resident of Canada or the United States.” (http://www.ams-net.org/awards/slim.php

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Sonic Hospitality: Music, Ritual and the New Irish - Guest Lecture Helen Phelan, PhD

Author: Matt Haines

Sonic Hospitality: Music, Ritual and the New Irish - Guest Lecture Helen Phelan, PhD

Thu Oct 2, 2014 5:30PM - 7:00PM Crowley 115

The ‘Celtic Tiger’ years in Ireland witnessed a dramatic shift in Irish migration patterns, including a significant growth in the numbers of asylum seekers from parts of the world not strongly represented in Ireland prior to this time. Among other manifestations of cultural expression, these groups formed new religious ritual communities based both within and outside of pre-existing church structures. This presentation is based on over a decade of ethnographic study from 2000 with new ritual communities in Limerick city, including the Russian Orthodox, the Nigerian Pentecostal and Congolese Catholic comunities. Using the musical repertoires of these communities as a point of departure, it explores the Derridean construct of ‘hospitality’, and interrogates the potential of music to act as an agent of sonic hospitality against the backdrop of the Irish citizen referendum of 2004. 

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Margot Fassler Awarded 2013-2014 Faculty Research Support Regular Grant

Author: Matt Haines

The Faculty Research Support Regular Grant Program provides funds to support outstanding research, scholarship, or creative expression that will make a major contribution in any field of study. Projects should lead to a significant outcome during the period of the award, and thus, the FRSP Regular Grant competition should not be viewed as a seed funding opportunity for the generation of preliminary results. Grants up to $100,000 of total funding over three years are available through this program.

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Notre Dame Announce Campus Crossroads Project, New Music Building

Author: Matt Haines

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The University of Notre Dame announced Wednesday the largest building project in its 172-year history, integrating the academy, student life and athletics with the construction of more than 750,000 square feet in three new buildings attached to the west, east and south sides of the University’s iconic football stadium, at a projected cost of $400 million.…

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Notre Dame International Funds Global Research Collaborations

Author: Matt Haines

peter_jeffery

Peter Jeffery (Department of Music, Sacred Music at Notre Dame) and colleagues – The Musical Traditions of Eastern Christianity: Protection and Preservation in the Contemporary World

In its inaugural cycle, the GCI grant competition elicited strong faculty interest across campus. Twenty-four proposals were submitted from researchers representing more than 15 departments in the Colleges of Arts and Letters, Engineering, and Science, as well as the School of Architecture.…

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Professor of Music Carmen-Helena Téllez Invited To Give A TEDx Talk

Author: Matt Haines

Professor of Conducting and Associate Director for Performance and Events of the Sacred Music Program at Notre Dame Tellez has been selected among dozens of proposals for the TEDxUND events scheduled for January 21, 2014.  She will lecture on "Rituals, Perceptions and the Music in your Mind". For more information on the TED Talks and TEDxUND, click here

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Music historian and liturgical scholar Margot Fassler wins three research awards

Author: Joanna Basile

Margot Fassler

Art. Sacred music. Medieval history. And the digital humanities. Margot Fassler, Keough-Hesburgh Professor of Music History and Liturgy at Notre Dame, brings them all together in her current research on Hildegard of Bingen — research for which she has been recently awarded fellowships from both the American Council of Learned Societies (ACLS) and the John Simon Guggenheim Memorial Foundation.

Adding to these accolades, Fassler, a professor in the Department of Theology who co-directs the Master of Sacred Music program in the College of Arts and Letters, on May 11 (Friday) received the 2012 Otto Gründler Book Prize for “The Virgin of Chartres: Making History Through Liturgy and the Arts” (Yale University Press, 2010).

“It seems that 2012 is my year,” Fassler says.

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Music historian and liturgical scholar wins international book prize

Author: Joanna Basile

Margot Fassler

Margot Fassler, Keough-Hesburgh Professor of Music History and Liturgy and co-director of the Master of Sacred Music program at the University of Notre Dame, has won the biennial ACE/Mercers’ International Book Award.

The award from Art and Christianity Enquiry (ACE) recognizes Fassler’s 2010 book “The Virgin of Chartres: Making History Through Liturgy and the Arts” as “an outstanding contribution to the dialogue between religious faith and the visual arts.”

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Sacred Music at Notre Dame receives Mellon Grant

Author: Joanna Basile

Sacred Music at Notre Dame

With a $400,000 grant from the Andrew W. Mellon Foundation, the University of Notre Dame has announced the launch of the Sacred Music Drama Project, a four-year, cross-disciplinary initiative designed to engage people more deeply with the power of shared creativity, performance and scholarship.

The project will draw on humanistic, artistic and sacred topics from a variety of musical traditions to develop new coursework and to stage the production of a major dramatic performance each year. The Mellon grant will also bring both eminent and emerging guest artists to campus and will fund the commission of a new work of sacred music drama at the end of the project.

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