Latest News

Prof. Carmen-Helena Téllez Conducts Anniversary Performance in New York City

Author: Matt Haines

Last October 23,  Professor of Conducting Carmen-Helena Téllez led a portrait concert in honor of the 80th birthday of American composer John Eaton. The concert included Mass II, a work professor Téllez has recorded with Aguavá New Music Studio, and El Divino Narciso, a cantata based on the allegorical poem by Sor Juana Inés de la Cruz.  The concert was produced by the American Composers Alliance in Symphony Space, in 

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Job Posting: Voice Position, Department of Music, University of Notre Dame

Author: Matt Haines

Voice Position, Department of Music, University of Notre Dame
 

The University of Notre Dame, Department of Music is conducting a faculty search for the position of Professor of the Practice (open rank, non-tenure track, full-time regular faculty), for a soprano, mezzo-soprano, or contralto voice, the position beginning August 2016. The successful candidate will be an exceptional artist (with an active performing life beyond the campus) and pedagogue with a thorough knowledge of opera, oratorio, art song, and concert literature. The Music Department is part of the College of Arts and Letters, and successful candidates will have the skills and desire to incorporate performance and teaching into a liberal arts context and also to contribute to the Program of Sacred Music and the Graduate Studio in Voice. Candidates at various stages in their careers are encouraged to apply, and we welcome minorities and those attracted to a university with a Catholic identity; Notre Dame is an EEO/AA employer. The deadline for applications is November 1, 2015

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Stephen Lancaster & Daniel Schlosberg to Perform WFMT/Dame Myra Hess Memorial Concert on August 19th

Author: Matt Haines

On Wednesday, August 19, at 12:15pm CST, expert pianist Daniel Schlosberg & Stephen Lancaster will perform a Dame Myra Hess Memorial Concert song recital, including works by Gounod, Schumann, Brubacher & Ravel.

You may attend the recital at Preston Bradley Hall in the Chicago Cultural Center

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Professor Carmen-Helena Téllez Participates in Two Events Dedicated to Latin American Music

Author: Matt Haines

Professor of Conducting Carmen-Helena Téllez was invited to present a lecture at the American Choral Directors Associations biennial symposium on repertoire, last June 12, in Austin, Texas.  The symposium was dedicated to the analysis and impact of Latin American musical styles in world choral tradition and was attended by conductors from the whole continent, including representatives from Argentina, Colombia, Venezuela, and several universities of the United States. Dr. Téllez discussed her work as Director of the Indiana University Latin American Music Center (1992-2012) and the Missa Brevis and the Stabat Mater by Mexican composer Mario Lavista, compositions she premiered and recorded before joining Notre Dame.  Soon after her return, on June 18 and 19, Dr. Tellez hosted at Notre Dame a colloquium of scholars, composers and producers to discuss the future of creative exchanges between musicians of the United States and Latin America. This colloquium was supported by the Global Midwest program of the Mellon Foundation, with administration by the University of Illinois and support of the Institute for Scholarship in the Liberal Arts at Notre Dame.

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A Recording by Professor Carmen-Helena Téllez is Reissued in Mexico.

Author: Matt Haines

The Tempus Clasico label, specializing in masterpieces of the Latin American repertoire, has reissued a recording by Notre Dame's Professor of Conducting Carmen-Helena Téllez of Mario Lavista's Stabat Mater, alongside other sacred music works by the composer. The original recording was produced by Indiana University's Latin American Music Center in 2012. Tempus Clasico serves the large Mexican and Central America recordings market. This is the third time that it has reissued a recording by Professor Téllez, having published the 

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Support Sacred Music for Notre Dame Day!

Author: Matt Haines

Donations and Voting for Notre Dame Day begins Today!!!!! Please support Sacred Music at Notre Dame and the Notre Dame Children’s Choir by making at $10 donation and casting your FIVE votes for SACRED MUSIC. Your $10 donation will be magnified by donors up to an additional $100!
 
Spouses and parents can donate from the same credit card and each will receive FIVE votes to give to Sacred Music at Notre Dame. See the attached flyer for details.…

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Kevin Vaughn wins 2015 Organ Scholar Auditions

Author: Matt Haines

On Saturday, February 7, five student organists from major universities around the Midwest competed in the annual Immanuel Lutheran Church Organ Scholar Auditions in Evanston, Illinois. Each contestant was personally nominated by their organ or church music professor and performed a major work of J. S. Bach, another contrasting piece, and a hymn. Kevin Vaughn, a second-year student in the DMA program at Notre Dame studying with Professor Craig Cramer, played Bach’s 

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Margot Fassler Delivered the Second Annual Plenary Lecture

Author: Matt Haines

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"After the success of the inaugural AMS President’s Endowed Plenary Lecture at the 2013 Annual Meeting in Pittsburgh, given by Richard Crawford, this annual series continues at the Milwaukee Annual Meeting. The lecture is free and open to the public. This year’s speaker is Margot Fassler, Keough-Hesburgh Professor of Music History and Liturgy at the University of Notre Dame." - American Musicological Society

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Stephen Lancaster Releases "Le Menu des Mélodies" CD

Author: Matt Haines

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Stephen Lancaster’s CD “Le Menu des Mélodies" has just been released. With Martin Katz, piano, this French art song Centaur release includes commissioned songs by Canadian composer J. Scott Brubacher. 

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Seeing Voices: On composing "Voices of Light" with the film 'The Passion of Joan of Arc'

Author: Matt Haines

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Richard Einhorn will discuss how he conceptualized his oratorio with silent film, Voices of Light, his encounter with the great silent film, The Passion of Joan of Arc by C.T Dreyer, the decisions he made to choose texts from sacred and devotional poetry, how they were edited and sequenced into a libretto, and how he conceived and composed the music. Richard Einhorn will also describe the history of the project, from its premiere in the middle of a Massachusetts blizzard to best-selling Sony Classical album and 250 performances in major venues around the world. …

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