Latest News » Conducting

Professor Carmen-Helena Tellez Lectures at the University of Lousiville

Author: Matt Haines

Professor Carmen-Helena Tellez, Head of the Conducting Studio of Sacred Music at Notre Dame, lectures this Wednesday, March 22 at the Composition Seminar of the University of Louisville, by invitation of Professor Marc Satterwaite.  She will address two Latin American operas she has conducted in world and collegiate premieres, Gabriela Ortiz's Unicamente la verdad! 

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Professor Carmen-Helena Tellez Lectures at the Music Library Association National Conference

Author: Matt Haines

Prof. Carmen-Helena Tellez, Head of the Conducting Studio in the Sacred Music Program at Notre Dame lectures this Thursday, February 23, at the National Conference of the Music Library Association in Orlando, Florida. The MLA requested her to discuss her career at Indiana University's Latin American Music Center, where she produced 13 recordings of Latin American music and many premieres, conferences and special events, all of which generated new documentation of this important repertoire, and contributed to the increasing exchanges between researchers and librarians of the United States and Latin America. …

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Notre Dame Vocale Invited to be Part of Prestigious Commissioning Consortium

Author: Matt Haines

The Ann Stookey Fund for New Music has invited Professor Carmen Helena Téllez and Notre Dame Vocale to join a consortium of some of the most important professional choirs in the country, to co-commission a new work of choral music from composer Greg Spears. In 2015, the Ann Stookey Fund awarded Notre Dame Vocale a grant to assist in the commission and performance of Robert Kyr's oratorio Paradiso,

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JJ. Wright and Notre Dame Children's Choir Featured on NPR's Weekend Edition

Author: Mark Doerries

DMA student J.J. Wright was interviewed from Rome by Scott Simon on National Public Radio's Weekend Edition Saturday, December 3, 2017. The segment discussed Wright's composition O Emmanuel and collaboration with the Notre Dame Children's Choir, his internship with the Sistine Chapel Choir, and the current state of sacred music.…

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Native Justice Served in "Mass for the Oppressed"

Author: Matt Haines

Tears well up in Emerson Eads’ eyes as he turns from the conductor’s perch and greets audience members who have just given a standing ovation to Sunday afternoon’s Sacred Music at Notre Dame’s performance of his composition, “Mass for the Oppressed.”

“Honestly,” Eads admits, “I was definitely thinking about the four. When it got to Agnus Dei, I couldn’t hold myself together.”…

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Notre Dame Vocale to Perform Music from "Journeying La Divina Comedia" in Mexico and Chile

Author: Matt Haines

Notre Dame Vocale, the research and special project ensemble of Sacred Music at Notre Dame will initiate a tour of latin America by invitation of El Colegio Nacional, de Mexico, the eminent institution that reunites the most distinguished scholars, scientists and artists of this country; and the Pontifical Catholic University of Chile, with support from the Luksic Foundation.…

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DMA Student, Justin Appel, Featured as Nanovic Institute's "Student Spotlight"

Author: Matt Haines

Appel

DMA Conducting student, Justin Appel, traveled to Latvia on a  Graduate Summer Travel and Research Grant to study Ēriks Ešenvalds as an upcoming star of 21st-century choral music. Justin wrote about his experience and travels to the Nanovic Institue for European Studies

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Prof. Carmen-Helena Téllez Invited to be a Member of the Standing Committee for Research and Publications of the American Choral Directors Association

Author: Matt Haines

Carmentellez1 Bw

Prof. Carmen-Helena Téllez has been invited to serve as a member of the Standing Committee for Research and Publications of the American Choral Directors Association. She will serve for the next four years.  Under the new ACDA committee structure, the Research and Publications committee will continue its ongoing work with monographs, the Herford Award, and symposia on repertoire and performance practices, while expanding its interest in the application of technology to research, and in the integration of research with performance in all areas of choral music. Professor Téllez was the winner of the Herford Award in 1991.…

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Incoming MSM Student Graduates with Distinctions

Author: Matt Haines

Incoming MSM Conducting student, Abby Helbling, recently graduated with distinctions from Ohio Wesleyan University.

Helbling received magna cum laude distinction for a bachelor’s degree in music education. She previously received the Music Teachers National Association Student Achievement Recognition award and the Slocum Prize for the highest GPA in the music department at graduation.…

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American Bach Society Biennial Conference Hosted by Sacred Music at Notre Dame

Author: Matt Haines

AMERICAN BACH SOCIETY BIENNIAL CONFERENCE
HOSTED BY SACRED MUSIC AT NOTRE DAME

On 7-10 April 2016 Sacred Music at Notre Dame hosted the biennial meeting of the American Bach Society. The society, which began its life as the American Chapter of the International Bach Society before becoming its own independent entity, serves as the focus for Bach scholarship in the United States and Canada. Among its members are many of the leading Bach scholars in the world, including Christoph Wolff, former director of the Bach Archive in Leipzig. It was a great honor and privilege to host such an important organization.…

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Notre Dame Vocale Receives Major Award from the Ann Stookey Fund for New Music

Author: Matt Haines

Notre Dame Vocale, the research and special project ensemble of Sacred Music at Notre Dame, and its artistic director Professor Carmen-Helena Téllez just received news of the prestigious award by the Ann Stookey Fund for New Music.  Notre Dame Vocale joins some of the most prestigious professional and academic ensembles of the country who have been previous recipients of the award, including The Crossing of Philadelphia, directed by Donald Nally, Cantus of Minnesota and Dr. Téllez's former ensemble, NOTUS: the IU Contemporary Vocal  Ensemble, now directed by Dominick DiOrio.  In this grant cycle, Vocale is joined by Volti, the San Francisco new music ensemble. Dr. Téllez and Vocale have commissioned a cantata on Dante's Paradiso

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Prof. Carmen-Helena Téllez Conducts Anniversary Performance in New York City

Author: Matt Haines

Last October 23,  Professor of Conducting Carmen-Helena Téllez led a portrait concert in honor of the 80th birthday of American composer John Eaton. The concert included Mass II, a work professor Téllez has recorded with Aguavá New Music Studio, and El Divino Narciso, a cantata based on the allegorical poem by Sor Juana Inés de la Cruz.  The concert was produced by the American Composers Alliance in Symphony Space, in 

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Professor Carmen-Helena Téllez Participates in Two Events Dedicated to Latin American Music

Author: Matt Haines

Professor of Conducting Carmen-Helena Téllez was invited to present a lecture at the American Choral Directors Associations biennial symposium on repertoire, last June 12, in Austin, Texas.  The symposium was dedicated to the analysis and impact of Latin American musical styles in world choral tradition and was attended by conductors from the whole continent, including representatives from Argentina, Colombia, Venezuela, and several universities of the United States. Dr. Téllez discussed her work as Director of the Indiana University Latin American Music Center (1992-2012) and the Missa Brevis and the Stabat Mater by Mexican composer Mario Lavista, compositions she premiered and recorded before joining Notre Dame.  Soon after her return, on June 18 and 19, Dr. Tellez hosted at Notre Dame a colloquium of scholars, composers and producers to discuss the future of creative exchanges between musicians of the United States and Latin America. This colloquium was supported by the Global Midwest program of the Mellon Foundation, with administration by the University of Illinois and support of the Institute for Scholarship in the Liberal Arts at Notre Dame.

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A Recording by Professor Carmen-Helena Téllez is Reissued in Mexico.

Author: Matt Haines

The Tempus Clasico label, specializing in masterpieces of the Latin American repertoire, has reissued a recording by Notre Dame's Professor of Conducting Carmen-Helena Téllez of Mario Lavista's Stabat Mater, alongside other sacred music works by the composer. The original recording was produced by Indiana University's Latin American Music Center in 2012. Tempus Clasico serves the large Mexican and Central America recordings market. This is the third time that it has reissued a recording by Professor Téllez, having published the 

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Seeing Voices: On composing "Voices of Light" with the film 'The Passion of Joan of Arc'

Author: Matt Haines

performance

Richard Einhorn will discuss how he conceptualized his oratorio with silent film, Voices of Light, his encounter with the great silent film, The Passion of Joan of Arc by C.T Dreyer, the decisions he made to choose texts from sacred and devotional poetry, how they were edited and sequenced into a libretto, and how he conceived and composed the music. Richard Einhorn will also describe the history of the project, from its premiere in the middle of a Massachusetts blizzard to best-selling Sony Classical album and 250 performances in major venues around the world. …

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Professor Carmen-Helena Tellez and students of the Sacred Music program welcome famous pedagogue José Antonio Abreu

Author: Matt Haines

Maestro José Antonio Abreu, founder of El Sistema of Youth Orchestras  in Venezuela and teacher of Los Angeles Philharmonic's conductor Gustavo Dudamel received the Notre Dame Prize for Distinguished Humanitarian Work in Latin America. Professor Carmen-Helena Téllez, a compatriot of Maestro Abreu,  coordinated the musical offering in collaboration with SMND students J.J. Wright (conducting), Mary Catherine Levri and Kevin Vaughn (organ)

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Alexander Blachly Pomerium Ensemble Performs for Yale University Institute for Sacred Music

Author: Matt Haines

Alexander Blachly's professional ensemble Pomerium presented a concert of sacred polyphony for the Imperial diets in Augsburg of 1518, 1530, and 1548 at Vassar College on September 21 and in Marquand Chapel of Yale University's Institute for Sacred Music on September 27. Included in the program were large-scale Masses and motets by Henricus Isaac, Ludwig Senfl, Nicolas Gombert, and Thomas Crecquillon. This program will be presented again in New York on January 25, 2015, at Music Before 1800.…

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J.J. Wright, D.M.A. in Conducting, to Release Debut Jazz Record "Inward Looking Outward" on Ropeadope Records

Author: Matt Haines

Pianist J.J. Wright's style cannot be easily categorized. Trained as a jazz improviser at the New School For Jazz in New York City, he's also passionate about sacred music. Palestrina and Bach vie with Monk and Cannonball Adderley as just some of his harmonic and melodic inspirations. While with the U.S. Naval Academy Band, Wright performed for the President as well as at several high-profile diplomatic gigs. He also performed and recorded with vibraphonist Dave Samuels and the Caribbean Jazz Project: Afro BopAlliance, whose album was nominated for a GRAMMY and won a Latin GRAMMY. Inward Looking Outward, Wright’s recording debut as a leader, features six original compositions and covers of music by Jon Brion, Sufjan Stevens and Phil Collins. Drummer Nate Wood and bassist Ike Sturm join the pianist on the album which is replete with music resonating with a modern jazz sensibility interpreted with his unique feeling of touch and timbre.

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