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Professor Carmen-Helena Tellez and students of the Sacred Music program welcome famous pedagogue José Antonio Abreu

Author: Matt Haines

Maestro José Antonio Abreu, founder of El Sistema of Youth Orchestras  in Venezuela and teacher of Los Angeles Philharmonic's conductor Gustavo Dudamel received the Notre Dame Prize for Distinguished Humanitarian Work in Latin America. Professor Carmen-Helena Téllez, a compatriot of Maestro Abreu,  coordinated the musical offering in collaboration with SMND students J.J. Wright (conducting), Mary Catherine Levri and Kevin Vaughn (organ)

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Alexander Blachly Pomerium Ensemble Performs for Yale University Institute for Sacred Music

Author: Matt Haines

Alexander Blachly's professional ensemble Pomerium presented a concert of sacred polyphony for the Imperial diets in Augsburg of 1518, 1530, and 1548 at Vassar College on September 21 and in Marquand Chapel of Yale University's Institute for Sacred Music on September 27. Included in the program were large-scale Masses and motets by Henricus Isaac, Ludwig Senfl, Nicolas Gombert, and Thomas Crecquillon. This program will be presented again in New York on January 25, 2015, at Music Before 1800.…

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Sonic Hospitality: Music, Ritual and the New Irish - Guest Lecture Helen Phelan, PhD

Author: Matt Haines

Sonic Hospitality: Music, Ritual and the New Irish - Guest Lecture Helen Phelan, PhD

Thu Oct 2, 2014 5:30PM - 7:00PM Crowley 115

The ‘Celtic Tiger’ years in Ireland witnessed a dramatic shift in Irish migration patterns, including a significant growth in the numbers of asylum seekers from parts of the world not strongly represented in Ireland prior to this time. Among other manifestations of cultural expression, these groups formed new religious ritual communities based both within and outside of pre-existing church structures. This presentation is based on over a decade of ethnographic study from 2000 with new ritual communities in Limerick city, including the Russian Orthodox, the Nigerian Pentecostal and Congolese Catholic comunities. Using the musical repertoires of these communities as a point of departure, it explores the Derridean construct of ‘hospitality’, and interrogates the potential of music to act as an agent of sonic hospitality against the backdrop of the Irish citizen referendum of 2004. 

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